My Song ;)

I’m going to speak about the best sport

of course I’m speaking about football

I like it since I was born

Somebody says is an old-fashioned sport

I say it is modern if you want

But if you’re 35 you’re out.

And you’re out.

Doing an effort to go fast

you are hoping to don’t be the last

because youº go slow and they go so fast

Your dream is to be

the champion of all this

if you train you will get it

I’m going to speak about the best sport

of course I’m speaking about football

I like it since I was born

Somebody says is an old-fashioned sport

I say it is modern if you want

But if you’re 35 you’re out.

You are sensible in front of the goal

you are alone you should shoot

of course you have scored

Run as fast as you can

celebrate the goal with your heart

dedicate it to all your fans

I’m going to speak about the best sport

of course I’m speaking about football

I like it since I was born

Somebody says is an old-fashioned sport

I say it is modern if you want

But if you’re 35 you’re out.

Play pacefully

oh oh oh

You can be epic

oh oh oh

this sport is trendy

I will defend the colors my team

Only two colors blue and white

Real Sociedad is perfect see it

They believe in them

only play to be fine

they win all enemies

I’m going to speak about the best sport

of course I’m speaking about football

I like it since I born

Somebody says is a old-fashioned sport

I say it is modern if you want

But if you’re 35 you’re out.

After more than three years in America, Frida wanted desperately to return to her native Mexico. Diego, however, remained fascinated by the country and his popularity and did not want to leave. Out of the conflict came this painting. The only collage in the artist's oeuvre, it represents an ironic portrait of American capitalism and superficiality. Filled with symbols of a modern American industrial society, it points to social decay and the destruction of fundamental human values. In this painting, Frida takes an opposite view to her husband, who was expressing his approval of industrial progress in a mural in the Rockefeller Center.

What is missing from this painting is the focal point of nearly all of Frida's paintings…herself. Instead, Frida's Tehuana dress hangs empty and alone amidst the chaos in the background. It may be her way of saying "I may be in America but only my dress hangs there…my life is in Mexico."

I think this picture represents very well what it feels Frida. It feels out of place and wants to go home. The dress is the only thing that's there is her dress Mexico.

Womens day

http://www.youtube.com/watch?v=MrXE2ebbOyE

I have chosen this video because I think it is the best to representate the womens day. 

Carnival

At the evening, we went out at 5 o'clock and we saw how was the town, then at 7 o'clock my friends and I went to dress up, about sexy policewomans and prisioners. We went to San Juan square to saw dressed people and friends. 


Later, I had dinner with 3 of my friends and all the parents of us. We ate and we went to a friend house to take more clothes, however, we dindn't take more clothes because we didn't had cold.

Finally, we went to dance in Santa Maria square, we dance and then we went home.

Christmas

I like christmas, they are a beautiful days. I like it because all the family is together and everybody is happy. But in Christmas are 4 special days: 24th os december, 25th of december, 31st of december and 6th of january.

24th of December

This day I woke up at 9 o'clock and I went to Donosti because I met with my family. I spent there the afternoon and at night we prepared a great dinner and later we went to bed.

25th of December

I woke up at 10 o'clock and I went to my grandparents house, there I took my presents and I went to my uncles' houses. I had 5 presents this day: a jacket, a wallet, money, hearers and a hat.

31st of December

This was the new year's eve and to celebrate we prepared a big dinner. All the family was together that day. We ate grapes and we threw fireworks

/ði/ Margolis  /ˈfæm.əl.i/  /kept/ /ðer/ /ˈrʌb.ɪʃ/ /fəhttps:/ /eɪ/  /hoʊl/ /wiːk/ /tə/ /faɪnd/ /aʊt/ /wɑːt/ /ðeɪ/ /wər/ /θroʊ/ /aʊt/ /ɪn/ /wʌn/ /wiːk/ /ðeɪ/ /-ˈduːs/ /ˈoʊ.və`/ 34 /-loʊ/ /ɑːv/ /ˈrʌb.ɪʃ/ eɪ lɑt ʌv ðeər ˈrʌb·ɪʃ wʌz ˈplæs.tɪk, ˈpeɪ.pər kæn ænd ˌæl.j ʊˈmɪn.i.əm. ðiːz məˈtɪə.ri.əl dəʊnt bɪˈlɒŋ ɪn ðiː ˈrʌb.ɪʃ; ðeɪ bɪˈlɒŋ ɪn ˌriːˈsaɪ.klɪŋ bɪn/luci/ /margolises/, /ðə/ /ˈdɔ·t̬ər/, /seɪs/, "/ɪt/ /iz//ˈtrʌb·əl·səm/; /ðə/ /ˈkɪtʃ·ən/ /bɪn/ /iz/ /sɑʊ/ /mʌtʃ/ /kloʊser/ /ðæn/ /ðə/ /ˈbɑt̬·^əl/ /bæŋk/."

/ˈθɜː.ti/-/fɔr/ /ˈki·loʊs/ /ˈdʌz·ənt/ /sim/ /lɑɪk/ /mʌtʃ/ /ˈrʌb·ɪʃ//bʌt/ /ˈmʌl·təˌplɑɪ//ˈθɜr·t̬i/ /fɔr//bɑɪ/ /ˈfɪf·ti/ /tu/ /wiks/ /ænd/ /ju/ /get/ /wʌn/ /ˈθɑʊ·zənd/ /ˈsev·ən/  /ˈhʌn·drɪd/ /ˈsɪks·ti/ /eɪt/ /ˈki·loʊs/ /ʌv/ /ˈrʌb·ɪʃ/ /n/ /wʌn/ /jɪər/. /ðə/ /margolisis/ /ɑr/ /ˈoʊn·li/ /wʌn/ /ˈfæm·ə·li/.

Hwail/ðeɪ/w3r/θroʊ/ɑʊt/ðeər/34/ˈki·loʊ/ʌv/ˈrʌb·ɪʃ/ˈʌð·ər/ˈfæm·ə·li/ɔl/ðə/UK/wɜr/ˈdu·ɪŋ/ðə/seɪm/θɪŋ/əˈkɔrd/tu/ˈek·spɜrt/in/wʌn/jɪər/ðə/ˈbrɪt.ɪʃ/fɪl/ɪˈnʌf/ˈrʌb·ɪʃ/bɪn/tu/goʊ/frʌm/ðə/ɜrθ/tu/ðə/ˈpi·pəl/ɑr/prəˈdus/mɔr/ænd/mɔr.rʌb.ɪ / ˈev.ri / jɪər / bʌt / nəʊ / wʌn / wɒnt /tʊ / lɪv / nɪər / maʊn.tɪnz / əv / rʌb.ɪ / səʊ / piː.pl / ɑːr / riːˈsaɪ.klɪŋ / mɔːr / ɪn / 2001-2002 / ˈpiː.pl ̩' / ɪn / ðiː / ðəˌjuːˈkeɪ /riːˈsaɪ.kl ̩d / 12% / əv / ðeər / rʌb.ɪ / ɪn / 2007-2008 / ˌaɪˈtiː /wɒz / 34% / səʊ / dɪd / ðɪs / ɪkˈsper.ɪ.mənt / əˈfekt / ðiː / Margolis / ˈfæm.əl.i  / ˈæf.tɚ / ðiː / ɪkˈsper.ɪ.mənt / ˈmɪs.ɪz / Margolis / sed / aɪd / lʌv / tʊ / ˌriːˈsaɪ.kl  / mɔːr / bʌt / ˌaɪˈtiː / dʒʌst / ˈnev.ər / siːm / səʊ / ˈsɪm.pl